Jun 30, 2022
In Education Forum
In any business, bold moves often come with big risks. And in television, where shows can easily cost millions phone number list of dollars to produce and audience reaction can be difficult phone number list to predict, risk aversion is a high-stakes science. After a career filled with big writing credits (Cheers, The Jon Stewart Show, Late Night with David Letterman) and more than four years as phone number list global head of television, Fred Graver has turned his sights back to the phone number list screenwriting - now combining it with his long-time interest in technology. I caught up with him to see why he thinks social data plays a central role in creating shows, how you can use data for creativity, and how technology is integral to the phone number list creative process for his new show. Graver: In the mid-90s, I became fascinated with the phone number list Internet. I totally fell in love with it. I worked at Disney and spent a lot of time researching the possibilities of the medium and how Disney could be prepared phone number list for its impending expansion into our society. I then joined MTV, where I assembled the team that built the first website phone number list for VH1 and achieved other internet firsts in my role as SVP of Digital Content. Learning how TV stations could make the most of the phone number list Internet has become an obsession. Vale: What can you tell us about the show? Burn: It's a comedy set 40 years from now. I've seen a lot of dystopian movies or shows where computers have gotten more sensitive, got mean, and taken over. I wondered what it would be like if they were as neurotic, erratic, insecure, and charming as the phone number list people who created them: us. What is this future? What situations arise? How do these conscious robots deal with the emotional issues we face every day? Vale: Why did you need to use phone number list data to make the show? Graver: In my original draft, I noticed it was very heavily biased towards one demographic, and I wanted it to be relevant to a wider audience. The characters I created had to appeal to these people. But writing these varied characters isn't just about sartorial or symbolic references, it's really about knowing who they are on a more personal level. I wanted to explore new ways to build that understanding, and phone number list being an open network that I was familiar with, it was a natural fit.